Call for submissions: CBA vol 40!

We want comics and texts for
CBA vol 40 – Worst Case Scenario
What’s the worst that could happen? And if that happens, what’s the worst that could happen? And if that happens, what’s the worst that could happen? And so on…

There’s a psychiatric method in cognitive behavioral therapy called “The Downward Arrow Technique” where you begin by writing down the answers to this repeated question and we thought it’d be the perfect theme for our upcoming CBA vol 40. Especially since this is an election year in Sweden. Especially since war and famine and climate change and personal disasters are on the horizon. So how bad can it get?

Deadline: APRIL 15
Main editor: Kinga Dukaj
(More details below…)

Think of a scenario where you imagine the absolute worst thing that could happen.
When you have that in mind, ask: if that happens, whats the worst that could happen?
When you have that answer continue asking it about 3 more times until you’ve got a clear story.
Use this as a script for your comic.

Editors note: The goal in the Downward Arrow Technique is to explore your core beliefs and work through them, and is often used for anxiety, phobias and other disruptive thought patterns. This method is very practical, simple and effective in helping the person get to the root of their negative thoughts and unhealthy beliefs about themselves. However, this is not the goal in CBA vol 40. We just want to know the worst.

Please read and follow these guidelines:
Number of pages: We prefer comics that are about 5-30 pages, but any number is welcome.
Format: 20x26cm
Color scheme: Black and white
Language: English
Format: .TIF
Resolution: 1200 dpi line art or 300 dpi grayscale
Bleed: 5mm. Think you know how to handle bleed? Read THIS to make sure you know what we mean.
Within this space, there are no limits.

Please send us high-resolution files from the start.
Also include a short presentation text about yourself, with one URL (if you have a website).
Please ask us if you are unsure about formats, resolution, bleed, etc. We prefer stupid questions to bad files. And there are no stupid questions!

Unfortunately we cannot offer you any payment for participating. If we publish your submission you will receive 10 free copies of the issue. That’s all we can offer at this date. Hopefully you will find being in CBA an enjoyable experience. Naturally, copyright for your material will stay in your hands.

—TEXT GUIDELINES—
We’re looking for texts that touch upon the subject, preferably articles, essays and exploratory texts. We’re not looking for short stories for this issue.

Feel free tp share the Facebook event to anyone who might be interested!

You can read a longer version of this post HERE.

Also coming soon: Call for submissions for the AltCom 2018 anthology: HOW TO SURVIVE A DICTATORSHIP

Crowdfunding for the new CBA

CBK is currently looking for donations to cover the costs of printing and distribution of the upcoming anthology, CBA vol 38|39: FRAGMENTS.

This might be CBKs final try to make CBA survive. If it doesn’t work, the anthology may go on hold for an undefined time. This all depends on if we will receive Tidskriftsstöd (state support for magazines) for the next year or not. But until we do, or don’t,  we still have to pay for the printing cost of this upcoming anthology. In other words – this is the final chance to support CBA for some time (unless people suddenly start buying lots of back issues). So please help fund the crowdfunding campaign of this year’s final, upcoming anthology Fragments and we will be forever grateful.

CBA vol 38|39 features comics by Marie Jacotey-Voyatzis, Martin López Lam, Stefan Petrini, Rakel Stammer, Diego Shim, Henrik Rogowski, Victor Expolio, Insulina Kid, Mattias Elftorp and Gonzalo de las Heras, and texts by Mattias Elftorp and Saskia Gullstrand with Johanna Rojola and possibly some additional material in this more-than-a-hundred colorful pages issue. Both the cover and the issue is compiled by Christina Cromnow of the CBK editorial crew, who is currently working on her debut graphic novel.

These artists present their own fractal visions under the common concept of FRAGMENTS.
Also, for the first time in years, we include texts in this volume. But we need your help to make all this possible!

All the comics in the volume are already finished. We only need to put the whole volume together and do some final editing before sending it to print.

You can support this project via our campaign at Indiegogo where you can also see some sample comic pages from the book.
Please note that the campaign ends on December 16!

CRACK! and other recent stuff…

So I came back from CRACK! a couple days ago and tomorrow is the first day with no meeting or things I have to do, so I will set the phone to silent and stay away from any other means of contact with the outside world.

Maybe spend the day in New Bordeaux or in space or the future.

But before I go into my 24h hibernation, here are some things from recent times that you may find interesting:

New books:

En Andra Chans (Tusen Serier) was written by me and drawn by Shko Askari. It’s written in Swedish & Arabic and consists of two interconnected stories, read in different directions, that meet in the middle. About war, racism, integrity and migration.
You can order it here.

CBA vol 36|37 (CBK) was edited by me, with stories by Akab, Spyros Verykios, Elena Guidolin and Serena Schinaia, with a cover by Radovan Popovic. I’m very happy with this latest volume of the international art comics anthology. This one is all in English.
You can order it here. Here’s another pic of the cover, this one modified during CRACK!:

Speaking of CRACK!… One of the things that happened there was a gig with Noise Against Fascism, for which I made this backdrop (which turned into a kind of cape during the gig):

And while I’m writing this I’m answering Facebook comments on this text. Some people seem to be unable to think outside the boundaries of the law, even if the law is immoral, which is kind of worrying. Others seem to have problems with texts longer than a tweet, so here’s a short summary:

When I grew up, in the 1980s/90s in a small town in Sweden, anything out of the “normal” was weird and something to stay away from (reading comics/listening to techno/being gay/being born somewhere else/watching foreign movies/being female etc).
Parallel to this, it was hard for immigrants to get asylum here (and it’s worse now, no matter what right-wing propaganda you hear). And anarchism was unheard of as a viable ideology. The mainstream ruled.
It’s all connected so what we do in CBK/CBA is antiracist by providing a printed space for what isn’t seen as normal.

Of course, it’s more elaborate in the blog post, so maybe read that…

Here’s an excerpt, which I think may be the most controversial part:

Once, a bunch of years ago, I was with a large group of people outside the refugee detention centre in Malmö. We were there to stop a deportation of a man from… I don’t even remember from where. The police came to get him. We stood in the way, blocking all entrances. After a while, the cops said: “All right, now you’ve made your statement. You’ve expressed your opinion. Now stand aside and let us do our job”. That hit me on a deep level. We were there to save someone’s life, and they thought we just wanted to express out opinion and then things could go back to repressive normality. Of course we didn’t move. We stayed there all day, hungry, getting burned by the sun, until the guy managed to break a window from the outside and get out. Within minutes he was in a car being driven away from there, to a life in hiding. Maybe eight months later, he got his permit of residency, proving us right.

People here seem to think that opinions is something everyone can have, as long as they don’t interfere with reality. Conversely, they also see them as something harmless, which is why we’re supposed to be so lenient towards racism. Because it’s just an opinion, which anyone is entitled to, and it has nothing to do with real life (and, incidentally, they won’t hurt you as long as you belong to the white mainstream (but who worth considering isn’t white mainstream?)). Except it does. Anything that today is ‘just an opinion’, may tomorrow be the new mainstream, with real-life consequences.

In other news… A while ago I made this book cover for Malvarma Bufedo (SLEA) the Esperanto version of Jenny Wrangborg‘s Kallskänken. Got my copies of the book the other day (and you can (soon anyway) order it here):

Also, if you drop by Hybriden these days (it’ll probably be closed but if you’re lucky or look through the window), you can see the Berättelser från Yunnan (Tusen Serier) exhibition by Emei Burell. Or you can order the book here.

And you will also see our banner in support of the XM24 squat in Bologna:

I’ll finish this off with two pages from Transgressions (Wormgod) that I think illustrate part of the point I wanted to make in that CBK blog post (click for bigger version):

You can, of course, order it here

Crowdfunding! CBA vol 36

The other day i finished lettering the comic I don’t want to dream by Spyros Verykios. We normally don’t do that but he needed help and I liked the story so much that it was worth it.

It’s a beautifully painted and quite disturbing comic of 43 pages that will be included in the upcoming CBA vol 36. A while ago we changed the structure for how we work with the editorial stuff in CBK. Instead of having big meetings that decide the contents of each issue (well, we still have those big meetings to discuss the comics), we have one person that is the main editor. This is because the new crew that took over CBK 2 years ago is a bit more diverse that earlier ones when it comes to taste. Which is a good thing in general, but it also meant that for each new volume, no one was completely happy with the contents. Having a rotating main editorship made a change in that; now everyone can at least be completely happy with one issue once in a while, and it’s ok to not be 100% satisfied the rest of the time. To be clear: I’m not saying that I don’t normally like the comics in CBA, but you always have your favorites. There’s a Swedish proverb to explain this. Taste is like the ass: divided.

So CBA vol 36 is my volume. I got to use my absolute favorites of the material that has come in from the last calls for submissions (Spyros Verykios, Akab & Elena Guidolin), and also headhunted some other stuff (Serena Schinaia & the cover by Radovan Popović), and I’m really happy with it.

The problem is that CBK is currently out of money. Tusen Serier is letting us wait a bit with paying our part of the rent for Hybriden, but it’s not a good situation since our funding from the Swedish Arts Council was cut off. So we decided to try crowdfunding via Indiegogo.

HERE’S THE CAMPAIGN PAGE. Please help us by donating some money and/or share the link and spread the word (if you prefer, it’s also possible to donate directly to us via PayPal: info [at] cbkcomics [.] com). It would really mean a lot to us (and to me, since this volume is a personal matter) and you’ll also get some perks as thank you. The really big spenders will get our entire back catalogue of what we still have in print, which is a massive pile.

Also check out this really cool promo video with art from the book, made by Víctor Expolio, with music by Feberdröm.

Let’s plunge together into the pits of madness. Let’s watch the dissolution of reality, let’s dance with clear heads and see where it takes us. Let’s travel the river hiding in the desert sands until the wind rises and we reach the final collapse. Let’s look deep into the eye of the tiger. And see afterwards if we dare to dream.

…long live the new flesh!

New year, new plans. Here are a few mentions of future stuff…

UPCOMING GRAPHIC NOVELS:
En Andra Chans (Tusen Serier) by me and Shko Askari
Sagor från Angered (working title) (Tusen Serier & Blå Stället) by me, Amanda Casanellas & Segal Mohammed
Piracy is Liberation v03 (Wormgod) IF I can only find the time for this, it’d definitely be about time to finally be able to continue this story…

EXHIBITIONS:
Cool Cykel (Tusen Serier presents Tanja Komadina) in February
I don’t want to dream (CBK presents Spyros Verykios and CBAvol36) in May

MORE BOOKS:
Berättelser om Yunnan – minnen från kulturrevolutionen (Tusen Serier) by Emei Burell
CBAvol36: In the pits of madness (CBK) with me as main editor, really excited about this one…
CBAvol37: Fragments (CBK)

FESTIVALS:
I’ll probably be going to the usual ones, maybe something new, we’ll see (preliminary dates)…
Copenhagen Comix (Feb)
SIS (May)
CRACK! (Jun)
Helsinki (Sep)
Novo Doba (Oct)

+ VARIOUS OTHER STUFF
It’s too early to tell yet, but we have some big plans for Hybriden. More news when we know if they will actually happen…