Probability Drive at Seriefest 2024

I made a new book!

Originally made for CBA vol 64: THE BOX (which goes to print soon), but steered in a slightly different direction since it kind of amalgamated with another project that finally got off the ground this summer: a cooperation with Finnish guitar makers Ruokangas Guitars that I will talk more about later when it’s more official.

It’s called PROBABILITY DRIVE: a space operette and will be available at Seriefest this weekend, the Malmö-based zine festival this is currently organized by the Seriefest group in cooperation with Tusen Serier. After the festival, it’ll soon be made available from Wormgod at the Hybriden webshop.

The ELUSIVE UTOPIA has a crew of three:
Astrid, Sol and the Cat, each with their own secrets.
On its way to the human colony of New Haven,
they run into a problem.
Their Shrödingerian Probability Drive has stopped
working, and they have important cargo for the colony.

They may need to open the box…

It’s kind of a serious comedy multi-levelled short story in space, printed at Fanzineverkstaden.

I’ll be at Seriefest with Wormgod/Tusen Serier/CBK this weekend, so see you there!

If you missed it…

I took down the Piracy013 release exhibition a while ago, but I did take photos this time! So for those who missed it during its limited opening hours, here are photos, including the trivia signs that accompanied some of the prints.

Wall #1

Close-ups:

Translaton text 1:
I tried to turn the chapter with the artificially intelligent missiles into a sort of life cycle, where they go through different stages, including one where they have a love relationship with each other and one where they start doubting their purpose. In the end they decide to continue on the path they started, accepting that it can only end in one way.

Translation text 2:
Inspired by eye witness descriptions from a comic creator in New York City, talking about how in the start of the US war against Iraq and Afghanistan, recruitment drives were specifically aimed at neighborhoods mostly populated by poor and/or non-white people.

Wall #2:

Close-ups:

Translaton text 1:
A terrorist camp out in the Desert. But who are the terrorists and why are they so miserable?

Translation text 2:
Metamagic: based on the practitioner being aware that they are actually characters in a comic, which means they can use this magic to travel in time by moving outside the comic pages. Among other things…

Translation text 3:
Metamagic can also be used to learn how to fly.

Translation text 4:
Erica’s daughter and her friend, Emily and Tomorrow, tried out the Lemonade the grown-ups are drinking. It’s a hallucinogen extracted from the blood of dead gods. It’s also a dramaturgic aid that facilitates the understanding and learning of Metamagic. It’s just not really meant to be taken by kids…

Translation text 5: I like when characters who are actually enemies are put in a situation where open conflict isn’t necessarily an option. During a bomb raid, I had four of the main (and not so main) characters end up in a bomb shelter together. Mostly to see what would happen:
-Erica, wounded after events in the Desert.
-Rain. who is more of a hangaround in the anarchist social circles.
-Jowe, who switched unions because he felt that the anarchosyndicalists were too critical against the war effort, and that they didn’t condemn the accused (bu unconfirmed) terrorists harshly enough.
-Fist, part of the fascist group, but not as enthusiastic as his friends when it comes to actually entering the war.
This was also inspired by real stories about how people who wouldn’t normally hang out can be forced together by circumstances created by the war.

Wanna know what happens next? You’re gonna have to read the book for that.

Wall #3:

This one is the bonus material, with various prints I’ve made. Not really connected to Piracy is Liberation.

Opening hours!

If you’re in Malmö and couldn’t make it to the Piracy 013 exhibition opening, you still have the chance to see it. I will keep the exhibition open on these times:

Thursday (Jun 20): 17-20
Tuesday (Jun 25): 17-20
Thursday (Jun 27): 17-20

Drop by and hang out for a while! Take the opportunity to get the whole set of the first 13 Piracy is Liberation books (or the books you’re missing).
Both the single issues and the thick collected editions will be available.You can follow this trip of 20 years of my life as a comics creator (ok, there was a 10 year break between books 011 and 012, but I hope you can see some evolution in my writing/drawing skills during that gap anyway).

There will also be some classic Wormgod prints available in varying sizes, in case you have some empty wall space you need filling.

Or just come and see some pages from the latest book, printed in large format, with some trivia/behind the scenes comments added.

SIS 2024

This weekend in Stockholm: SIS (Stockholm International Comics Festival), the second step on my release tour for Piracy is Liberation 013: Missile Crisis!

I’ll bring all the Piracy is Liberation books to the Wormgod table, some Angry Animals, including a brand new zine I made of my Arg Kanin om ett folkmord that I made for the Rum för Frihet exhibition, and a bunch of prints/posters.

I’ll be sharing a group of tables with CBK, Tusen Serier and Dice Dominion, so there’ll be a whole lot of stuff (books, prints, dice).

See you there!

Piracy013 release tour 2024

My new book just came from the printer the other day, and I’ve just confirmed that there will be a release exhibition! So the 2024 release tour will be as follows:

Jönköping, April 26: The Old World Is Dying
Stockholm, May 25-26: SIS
Malmö, June 7: Release exhibition @ Rum för Serier

The Old World Is Dying (Insikten, Kulturhuset, Jönköping)
This is a noise event where I will have a Wormgod table along side Dice Dominion, Vertigo förlag.
Performing acts:
IDIOT CHILD (MALMÖ)
Violent sludgy noise rock from the dirty south.
TRAUMA COMMAND (MALMÖ)
Radical Feminist Power Electronics with a straight razor from Crime City.
FACTORY FARMING (GÖTEBORG)
Red Power electronics from the foggy Volvograd.
Both TRAUMA COMMAND and FACTORY FARMING are familiar faces from earlier events (and soundtracks) from Wormgod, and TRAUMA COMMAND is of course the other half of Wormgod and the cover artist for most of the Piracy books, including the new one.
If there’s space, I may bring a couple of books from CBK and Tusen Serier as well…
Check the facebook event for times, address and more updated info.

SIS 2024 (Kulturhuset, Stockholm)
The new edition of Stockholms Internationella Seriefestival. We will be there as usual with Wormgod, CBK and Tusen Serier, this time in the company of Dice Dominion. There’s not stage appearance by me planned this time, as I did that last year, but we’ll be there with a whole lot of books, prints and dice. See you there!
Facebook event

Release exhibition (Rum för Serier, Malmö)
And finally, there will be an official release party with en exhibition in Malmö.

A mix of classic cyberpunk elements in a dystopian future with a glimmer of postapocalyptic hope and a pinch of metamagic.

I haven’t made all the plans for this yet, but I will have all three rooms so I’ll probably also put up some of my older stuff as well as pages from the new book.
Maybe I’ll talk about the book, maybe I’ll discuss it with someone? Maybe there will just be a pile of books, some prints on the wall and a bunch of wine? Who knows?
In any case, I’m sure it’ll be great!
Event and stuff will come later.


I may also be going to the CRACK! festival again this year, since I haven’t been there for a few years and I miss it, but it’s not yet decided so we’ll see if the tour will be extended to include a trip to Rome and Forte Prenestino

I recently made an Arg Kanin comic about/against Israel’s ongoing genocide in Gaza for an exhibition by Seriefraämjandet, also at Rum för Serier. I’m trying to get it published somewhere as well, but nothing confirmed yet. I’m not even sure exactly when the exhibition will be shown, just that it’ll happen soon, but I’ll post some info on that when I know more.

And I was invited to have some art in the exhibition at Balkanska Smotra Mladih Strip Autora (The Balkans Festival of Young Comics Creators) (June 28-30), so that’s another place where I’ll be showing some Piracy works.

Some CBA short stories…

Sometimes I submit comics for CBA (the international comics anthology from CBK) or other anthologies that are actually chapters from Piracy is Liberation. Usually, I rewrite or otherwise modify them a bit to make sure they can stand on their own, without the context they were originally made for. Right now, I have two such stories, in the latest and in the upcoming issues of CBA.

CBA vol 61: SPYWARE
This one is pretty old. I made it originally for the Morning International comics competition in Japan in 2010, where it actually came in among the top 8. Which is super cool and better than I had expected. It also somehow validates my manga-esque storytelling even though my visuals don’t really fit into what is regularly seen as the manga style…

Since it was set in the world of Piracy is Liberation, I included it in book 009 and actually built the rest of that book around this story, at least in part.

Then, when Caroline Ulvros (main editor of CBA vol 61) chose the theme FINGERS AND TEETH, I realized that this story would fit. There’s a scene in the story where the main character takes a rock and bashes out her own teeth, which was in turn inspired by a scene in 12 Monkeys, where Bruce Willis’ character locks himself in a bathroom with a hammer to take care of surveillance equipment he believes have been planted in his teeth. As I recall, he looks happy and satisfied more than anything else when he comes out with the bloody smile of a successful operation.

CBA vol 62|63: UNTIL DEATH
Oskar Aspman
‘s theme for this issue was LIMINAL SPACE. I had just written a chapter for the new Piracy book where I tried to get into the mind of an AI smart-missile and follow it on its short lifespan from being fired to its final detonation. Which made perfect sense for a cyberpunk concept, but I also tried to model it after phases in a human life, from birth/youth to self-discovery, through a philosophical phase, interpersonal interactions and so on, until death.

For the version in the Piracy book, I had to make some tiny adjustments in the text as well as adding a few pages to integrate it into the story in rest of the book. I also changed the title to DEATHDRIVE SENTIENCE.

Ignoring any parallels to real life (Sweden joining NATO, Israel bombing Gaza again), there were some external inspirations behind this story as well. In Karin Boye‘s Kallocain, a Swedish sci fi novel from 1940 (same era and dystopian subgenre as George Orwell‘s 1984 and Aldous Huxley‘s Brave New World), the main character lives in one of a few megastates that seem to have divided the world amongst each other and who wage endless war against each other. It’s actually much the same setting as in 1984 and in Katsuhiro Otomo‘s short story CANNON FODDER (not included in the manga collection Memories as I first misremembered, but it’s in the anime of the same name).

That image stuck with me since reading these stories some 20-30 years ago, of a nation waging a never-ending war, routinely and perpetually firing rockets from cannons operated by peoplo who don’t really know who the enemy is, they just know that they’re at war and have a job to do. And since the current storyline, started in Piracy book 012, is about the City going to war against an unknown enemy, it was something I couldn’t help but include. Both as a reference to those great works of dystopian sci fi from the mid-1900s and to the feeling of living in a world where there’s always some war going on, performed by people who have no say in how the war is waged, or why, or when it might end.

CBA vol 61 came a couple of month ago and CBA vol 62|63 will arrive a few weeks from now, together with Piracy 013. They can all be found at Hybriden.se

Coming very soon: Piracy is Liberation 013 + CBA vol 62|63

Last week, I finally managed to send my new book, Piracy is Liberation 013: Missile Crisis to print, and it’ll arrive around April 20.

You can order it now, from Hybriden and it’ll be shipped as soon as we have it from the printer!

The City is firing sentient smart-missiles against terrorists hiding in the previously unknown desert. But who is this outer enemy?
Using metamagic, Purple learns how to fly and takes Information and Erica on an expedition to find out, but the truth comes with unexpected dangers.

At 236 pages, this is my thickest book yet (not counting the massive collections) and, if I dare say so myself, the best one so far!

I will also have it for sale at a noise event in Jönköping, April 26: The Old World Is Dying. As you can see, not only will the music be great but it will also be the first official appearance by Dice Dominion! And if you didn’t know, TRAUMA COMMAND is Susanne Johansson who made most of the Piracy covers, including the new one. FACTORY FARMING also contributed to the soundtrack for After the Ends of the World 2 (and a bunch of Wormgod events, sometimes under different names). This is not to be missed!

Coming from print at the same time is also the new CBA vol 62|63: Liminal Space, where I also have a comic. It’s actually the first chapter from Piracy 013, but a slightly different version. It’s rewritten to work as a stand-alone story, but I’ve also handled post-production of the images differently…

You can pre-order CBA vol 62|63 from Hybriden.

Cover by Oskar Aspman, who was also the main editor of this issue

Seriefest 2023

This weekend (Sep 2-3) it’s Seriefest in Malmö (in Ridhuset, Folkts Park).

We’ll be there with a selection of books, along with Tusen Serier/Wormgod/Hybriden (the policy is to only sell things made by creators who is present. Luckily, Mattias Elftorp will be there and he’s been involved in lots of books)…

There will also be 2 Hybriden-related items in the program:

Tusen Serier: Jorge Varas Varilla
(Saturday 1630-1650)
Jorge Varas Varilla from Tusen Serier talks about his career as a satire illustrator and how graphic humor was used as a tool for wishing for social change in the 1960s Chile. He tells about Allende’s government, about the military coup and also about his own arrest and exile.
www.varilla.se

CBK/Wormgod: Mattias Elftorp
(Sunday 1300-1320)
Talk with Mattias Elftorp about the international comics anthology CBA and about the cyberpunk postapocalypse of his Piracy is Liberation. War mania in a future where Capitalism is the only religion.
www.elftorp.com

See you there!

Coming soon(ish)

I’m now 53 pages into the story, so still a bit left but it feels good!


EDIT (a week or so later): I’m now thinking of maybe moving some chapters around, which would basically dividing this book into two. But we’ll see.

This is the exciting part of writing things more or less on the fly, especially when each book is part of a larger story. You’re never completely sure what’s going to happen. I mean it’ll all fit together and make sense in the end, but what script I do have isn’t so strict that there’s no room for changes depending on what will, in the end, be the best reading experience (I guess you’ll be the final judge on that when you read it). Anyway, nothing set in stone yet. I had some interesting ideas yesterday, so I’ll try to fot them into the over all plotline. I’m sure it’ll be fine 🙂

Piracy 005-008 digital comics!

I recently put up another batch of digital Piracy is Liberation books for download at Hybriden.

Sometime within a year I plan to also make book 009-011 available like this, and a year after that books 012-013. In other updates, I’ve finished the first few pages of Piracy is Liberation 013: War and Pieces, which will hopefully be out by the end of this year, possibly beginning of 2024. But more on that later…

What happens when the rules have suddenly changed and the police can do nothing but watch as people party in the streets? What happens when even the rules of reality can be broken? One section of the City where Capitalism is the only religion has been freed from the influence of landlords and indoctrinating television, but when the authorities come back with a vengeance to evict the Free Section, expect violence.
Meanwhile, something is moving on the net. Some kind of entities seem to be interfering with its users. What are these Spiders and how will they affect the plans for the Information Upgrade that the anarchists are planning?
Also in this collection:
Can Technograph change the past through timetravel?
And introducing Ming, the open source web-based sentient being.
Political theory, filtered through autobiography masked as fiction, in the form of cyberpunk postapocalypse.
320 pgs
Name your price (minimum 72 sek)

This is a collection of four more books of the Piracy is Liberation series, in digital versions based on the original publications. They are downloadable as a CBR file, a classic format for filesharing comics. You can open it in various comics reader apps, or just a regular unZIP or unRAR app.
Digital comics should be much cheaper than paper books, so it’s a “name your price” deal, with a minimum price based on page count.


Digital download bundle of books 001-004 is of course also still available:

Cyberpunk stories in a future where Capitalism is the only religion, where only sinners disobey and nobody loves a sinner. Pirate is one of those sinners, downloading illegal information straight into his mind to get high. When he gets caught while trying to free Information, he has to use all his skills as a 4-dimensional hacker to break them out of digital prison.
One year later, he’s part of a group trying to free sections of the City from the clutches of brainwashing television, riot cops and the Priests and Masters who control everything.
Meanwhile, Erica toils away as a Slave in the factory. But what’s the dark secret behind the cogs and wheels and levers of her machine? What hides in the desert that no one knows exists? And what of the Drivers and their upcoming strike?
Political theory, filtered through autobiography masked as fiction, in the form of cyberpunk postapocalypse.
266 pgs
Name your price (minimum 60 sek)