It’s been 10 years in the making, but now it’s finally (soon) here:
Piracy is Liberation book 012: Outer Enemy
Terror strikes the City, and Pirate seems to be the terrorist! Or is this finally the start of the revolution? As the City is gearing up for war, two girls walk its streets looking for action and trying to figure out what actually happened. How will our anarchist heroes deal with this situation as the equivalent to nationalist tendencies grip the population? What happens in a City where war has been an unknown concept, as its billboards are filling up with WANTED posters and military propaganda and the army recruitment centers are opening up for business? Who is the enemy?
This is also the return to CBK, who published the first 6 books in the series. From book 012, Piracy is Liberation will be published as a cooperation between CBK and Wormgod.
And don’t worry if you haven’t read the first books. Book 012 is a good place to jump into it, with a story so far section that tells you in short what you need to know. And if you want to get into the back story to get the full experience, we have all the back issues and collections at Hybriden for a good price!
The official release will be early in 2023, but we’ll figure out some excuse to offer a sneaky pre-release sale of it already in December of 2022. Both so that all your friends and family won’t have to miss getting it for christmas and because I’m just too excited to have piles of books lying everywhere with no one else being able to get them. We’ve all waited a long time for this, haven’t we? Book 011 came all the way back in 2012.
I’ll write more about this later, just wanted to let you see the cover (by Susanne Johansson) and start preparing for its arrival…
The following message was found in the ruins of the Earth civilization that ended with the Sixth Mass Extinction. Converted from what was called “the internet”, an archaic means of communication that was widespread at the time, this archaeological find is included in the collection “Earth; how did it all end? Clues and ruminations”:
Did you know that COVID-19 isn’t actually contagious the way we’ve been lead to believe? The virus is in fact spread through vaccinations. Which means this is a plan that’s been prepared and slowly implemented during much of the 20th century. It’s easy to figure out because that’s the period during which most of the now afflicted got their vaccinations as children. Whoever did this against humanity have enormous resources, based on the fact that they’ve managed to do this globally and over such an amount of time, not to speak of the meticulous planning necessary to activate it just now, in 2019/2020 when 5G technology created the right amount of background radiation for the latent virus to be activated.
So who has resources on that level? There is at least one organisation who, for centuries and on a global scale, has managed to trick most of humanity into believing that the Earth is a globe, in spite of the overwhelming evidence proving it’s actually flat. The name of that organisation is NASA. It is quite possible, even probable, that they are agents of the reptile race living in the hollow places beneath the surface of the flat Earth. Reptiles who disguise themselves as the political, financial and cultural elites of the world, controlling our lives for generation after generation, possibly for millennia. They get their powers from the blood of human children, sexually violated in Satanic rituals. Power they use to control our destiny and, sometimes, to turn frogs gay for some reason.
If you’ve ever felt that your life didn’t turn out the way you had envisioned, that’s them. If you’re wondering why there is war, poverty and starvation, that’s them. Some people would say that the fault lies in systems of economy, such as Capitalism, but it’s more realistic to assume those theories are planted by the reptiles themselves as a way of diverting our attention from the real truth. We know that Capitalism is the best way for humans to fulfill their potential, through competition and with profit as the driving force. It is after all what human nature dictates, and not at all like the hunger for power that drives the lizards and fuels their conspiracies to keep us down.
The probable origin of these reptiles is Nibiru, the tenth planet, which will soon return to what is commonly called the solar system, passing close to the Earth as it has done before on its long, elliptical orbit around the sun.
The “Sun”, however, is actually a lamp moving according to pre-set patterns across the sky, a few hundred meters (or possibly kilometers) above ground. That’s why they don’t want you to stare directly into it, because they’re afraid you might see it for what it really is.
That the pandemic broke out when it did might very well be because so many people started to find out about the truth, in spite of corrupt institutions like the education system or the old-school news media. We lost those struggles a long time ago, but the internet has given us a new weapon. The US military, who developed the internet, is an institution that has somehow managed to resist for a long time, but it has now also been infiltrated, another victim of the Gay Agenda. However, through various YouTube channels, chatrooms and other social media, we’ve been able to wake up a lot of people to what’s going on behind our backs.
Leading the brave resistance from his golden throne is Donald Trump, a man of the people who got rich by being chosen by God as the defender of freedom, decency and humanity itself, his riches trickling down to save the rest of us. He’s leading a movement of underdogs against hordes of traitorous politicians, fake news media and the Cultural Marxist elites, supported by antifascists who are themselves more or less nazis. After all, Hitler was a socialist or it wouldn’t be in the name of his ideology. Already in the 1980s, the fake news channels could sense Trump’s coming ascension, the great threat to the status quo, the manliest of men and most intelligent of smartbrains. Since back then, they’ve run an ongoing smear campaign, portraying him as a supervillain in the news as well as in movies produced by a Hollywood run by communists, liberals and other factions of the left, not to mention the satanists. He even had to develop his own brand of glossolalia to get past their censors, a language that is clearly understood by those who are sufficiently developed but sounds like gibberish to anyone else. That’s how he could move below the radar and grab the presidential power by the pussy with his great big hands.
As soon as the election scandal in the US has been solved and he is returned to the seat of power [something that may already have happened as you read this], he will surely save us from both the “pandemic” and the reptiles, queers, blacks and socialists. Then we will finally be free from our shackles of forced ignorance and cancel culture.
Not to mention the Jews who not only run the world by owning banks and corporations but also by instigating the invasion of the West by muslims who are slowly replacing white Europeans who should rightfully rule the world through their superior genes that are now being bred out of existence. Within possibly as little as 20 years, muslims will have completely replaced the whites, ruling through sharia, taking out ham from school lunches and possibly meat in general, leaving only halal-slaughtered vegan food and vegetable-based beer to further weaken the male population. Soy products have already killed the testosterone in so many men that soon, maybe as soon as 2030, half the planetary population will be gender-neutral trans people.
Transsexuals, a phenomenon that doesn’t exist in nature (just look at the seals, have you ever seen a male seal dressed in female clothes? Didn’t think so), are men who go through “corrective” surgery in order to infiltrate girls’ locker rooms. Our only hope in that arena may be that their perversions are at odds with the feminists who want to murder all men. With any luck they will kill each other, but more realistic prognoses say that they will band together along with the pedophile Satanists to crush normal society.
The problem is that women can’t use swords. In stark contrast to the indoctrination spread through various TV series, it is physically impossible for females to use that kind of weaponry. A sword might weigh as much as a few kilos, so it takes a man’s superior musculature and mental strength to lift and do any damage with it. This is why feminists developed other, more devious methods. They’ve completely taken over previously apolitical franchises like Star Wars and Marvel and replaced all the main characters with female, over-powered versions. These stories which used to be neutral tales of relatable heroism have now been turned into completely unrealistic depictions of dystopian worlds where women rule everything. Which is of course also what they are trying to do in real life.
But there is hope. There are clues throughout popular culture to open our eyes and expose the true enemy, the reptiles of the Illuminati. You may see hand signals or zoomed-in eyes in music videos, or phrases in movies that get a new meaning when taken out of context. These are either signs from cultural resistance fighters or subliminal messages from the Illuminati themselves, so watch out! Some of these artists are part of the agenda, so if you’re not sure that someone is already on the right side of history, you better stay away or you risk becoming another victim of their brainwash.
There are also resistance cells under the indirect leadership of brave men like Zack Snyder and others who are inexhaustibly exposing cases of infiltration by the agenda. It’s a constant struggle, like when they replaced Snyder with Joss Whedon in order to destroy the Justice League movie. However, that was a fight they didn’t win, as armies of online freedom fighters not only managed to get The Snyder Cut released but are also spreading awareness of multiple cases where women and people of color have taken over. They’ve bravely alerted us when previously great superhero comics turned bad because of shoehorned agendas, or when video games have abandoned the true fans who made game culture great. White boys are now completely left without any cultural safe spaces and are probably the most forgotten group in media culture as well as society in general.
This is how white men was turned into the endangered species they are today, with hardly any power or influence left in society. Now, after the Police have suddenly, out of the blue, been criticized and can no longer do their job properly because their hands are tied by red tape, we stand almost completely without protection. It’s what countless action movies have warned us about, but they were made by white men so no one listened, of course. Almost 90% of non-whites commit more or less all crime, so what are we to do when the Police are no longer allowed to execute the enemy on the streets, even if they catch someone driving a car or refusing to obey every single order? Unjustified or not, orders are orders and should be obeyed or law enforcement risks losing all legitimacy.
By the way, did you know that there were also white slaves and black people were responsible for almost all slavery in history, until Trump abolished it by separating invading Mexican families and also terrorism? So there is no reason at all to complain about racism because it doesn’t exist anymore and who are the real racists anyway? Except reverse racism against white people, which is real, but we’re not allowed to talk about that.
There are many more examples, but now you can hopefully see clearly how it’s all connected and how we must all do our best to make sure that incels can finally sleep with all the girls they want, for equality. As George Orwell said in the alt-right bible, 1984: “If you want a picture of the future, imagine a pink boot stamping on the white man’s face—forever”. Be like Neo in The Matrix: take the red pill so you can see the truth: men are men and women are immigrants and it’s all cultural Marxism.
Although the exact circumstances surrounding the fall of human civilization on Earth remain unclear, this is one of the few remaining documents from the era. Scholars believe it to be a good representation of the everyday concerns of the time and may contain crucial clues as to why the collapse happened. Note that these clues may be found more in the existence of the text rather than its contents.
I chose to publish this text in its complete form here, because I can. CBA vol 53 also includes a comic I made, but if you want to read that you’ll have to get the book (link in the beginning of this post). I’ll just give you a small sample here:
I should also mention that the After the Ends of the World concept is something I’ve worked further with in the books with the same name, by me and Susanne Johansson. Current day issues looked at from a future where they were the reason everything collapsed. Part humor, part warning signal… Both books 1 and 2 are available from Hybriden (and from the regular internet bookstores in Sweden).
Me and Kinga were invited to represent Fanzineverkstaden at a workshop at MaU (Malmö University) today, as part of their Comics Research Lab project.
First time I tried risoprinting and it went much better than expected. I had thought, based on most risoprinted books etc I’ve seen that the colors would be really pale, but it turned out really nicely. Especially since the print I had prepared was 2 colors on top of each other which created a nice effect and much deeper colors.
I made a variation on my tape cover for Noise Against Fascism / Legion of Swine.
Second color + combination:
Also made a few copies where I printed yellow as the second color:
This is the one Kinga made:
In case you haven’t seen my original image, this is what it looks like:
Managed to squeeze in some time to actually use the equipment myself a few times, as you can see in my last post.
Tusen Serier is still in a low-activity period if you don’t count Fanzineverkstaden. Mostly trying to get by, gearing up for some new projects in the future. But we managed to have an exhibition at the Gothenburg City Library in November, and some other stuff. No new books, though, which I know is what we all really want. But we have a few coming up as soon as we find some money for it, and we have a few exciting international exhibitions in the winter/spring of 2020 that we just got funding for. More on that in the post about the future, coming soon.
CBK is an interesting animal. It makes me tired because I can’t give it as much attention as I think it deserves. At the same time, I’m immensely proud of, and excited about, the upcoming CBA vol 47: Science / Fiction. It’s the last volume of 2019 but will be officially released in January.
I’m the main editor, probably for the last time, and it’s a mix of some returning classic CBA creators, along with some we haven’t published before. All great art, interesting stories etc.
More on this in a separate post, coming soon, but you read more about it and pre-order it here.
I also had some comics published in vol 44 and 46 and drew part of the cover for vol 45.
Wormgod published one book this year, but it has some great stuff in it. After the ends of the world 2 is a stand-alone follow-up to the first book of the same name. This time, Susanne Johansson made 3 stories about women who were brutally murdered. She wanted to focus on the victims, try to imagine how they ended up where they did, what they might have been thinking. Gruesome stuff, but everything can’t be shallow and well-behaved all the time. This is also a big inspiration for her music as TRAUMA COMMAND.
My stuff in the book is a bit more up-beat. One-image short stories about the different ways the world might end, told from a future perspective after it’s too late. Like I said; up-beat. Because you can read them and remember that it’s not too late yet, as long as we get our shit together. So good luck, us! yaay.
There’s a magnificent soundtrack by SYSTEMET, NIMAM SPREGLEDA, FACTORY FARMING, TRAUMA COMMAND, FEBERDRÖM, KOEFF. If any of these names ring a noisy bell, you’ll have some idea of what to expect.
I also included my time machine story: Why you (maybe) shouldn’t kill Hitler. That’s also a fun story.
You’ve seen some of mine before, so here’s one of Suss‘ pages:
Once more we explore the different ways the world ended. From a hindsight perspective we delve into various scenarios to pinpoint the details of the apocalypse.
Comics and illustrated texts from the minds behind Wormgod, a roadmap of things to navigate to come out on the other side of the future. Also a furious description of the world we live and die in now, with all its horrors.
I’m soon going on vacation, this weird concept that you get when you have employment, where you spend some time not working at all. Employment is rare for me, so it still feels like some kind of novelty. And it won’t be completely without work since we have a CBA release/exhibition on July19 (work being defined as when you do things with a purpose other than pleasure/relaxation, not to be confused with employment where you also get paid).
So I thought I should make some small summation of what I’ve beem doing lately. I should say ‘we’ rather than ‘I’ since most of what I do is done in the context of one or more of the collectives I’m part of within the Hybriden constellation…
Let’s start at the chronological end, with this year’s CRACK! festival (June 20-23) where I was with Kinga Dukaj and Luddvig Melin to represent AltCom/Hybriden/Wormgod/CBK/Tusen Serier and ourselves as artists. If you don’t know, this is one that I’ve been going to every year for the last decade or so, except last year. Which was probably good, because this time it felt better than it has for a while. Less people than usual, but I got some of that magic back, where you meet new people who do interesting stuff, old friends that you only see once or a few times a year (depending on which festivals you go to) who also do interesting stuff, you see lots of cool art, you make some yourself, you’re in this small piece of a possible future/squat paradise on earth called Forte Prenestino to share in the evolution of the comics/printed art underground. It’s a source of inspiration for AltCom and for a lot of what I do and how I do it.
The theme for this year was APERTO (OPEN), similar to the NO BORDERS theme of AltCom 2012, so that fit us well considering what we’re usually publishing.
On June 22 there was also a huge demonstration against evictions of squats as well as against raised rents in general. CRACK! has a natural connection to this since Forte Prenestino is a squat since 1986. I didn’t go to the demo myself because I can’t handle being out in the Italian heat for that long, but rumor says it was a manifestation of around 100 000 people.
I also have to say, without going into details, that the crisis management from the festival organizers is very commendable. They managed to turn an incident into an assembly of around a hundred artists to discuss what had happened. In the end some people disrupted the meeting and I’m not sure where they will go from where it ended, but I fully trust them to handle it in an intelligent way that is respectful to many different aspects of the whole situation.
A while ago, we opened a new permanent exhibition at Hybriden, with works that have been produced at Fanzineverkstaden by its members and/or workshop participants. It was also, finally, the official release event for Fosfor, our zine distribution system.
The Lore exhibition is still up, with material related to the theme of the latest issue of CBA. The best bet if you still haven’t seen it is to go this week (Wed-Fri 11-15 + Sun 12-15). After that, Hybriden will close for the summer except for the opening of the Qtopia exhibition on July 19 (at Hybriden). As I write this, we’re actually in the final stages of finishing to files for CBA vol 45: Qtopia to send off to the printer.
We’ll be back in August at Fanzineverkstaden, open weekdays between 15-21, with lots of new workshops coming up during the fall, so keep an eye open for that. And do use the place, because it’s a great opportunity to print stuff and try some new ways for self-publishing, and you never know how long it’ll last (except we know we’ll be here for at least another year). We also brought home some examples from CRACK! to use for inspiration.
And speaking of things that are being printed as we speak… My contributions to the upcoming Wormgod book, After the ends of the world 2 by me and Susanne Johansson, have largely been produced at Fanzineverkstaden in between my regular working hours. More on that later, but here are a few of the pages from the book that I also showed as prints at CRACK!
Not much work left now before After the Ends of the World 2 is ready to go to the printer.
It’s a bunch of short stories, visions of different versions of the end of the world, with a few longer stories by Susanne Johansson commemorating the victims of three gruesome murders, and a 15 page comic of mine (Why you (maybe) shouldn’t kill Hitler, previously published in CBA vol 40|41). Just like the first book in this series, it will also have a downloadable soundtrack, this time contributed by Systemet, Nimam Spregleda, Feberdröm, Factory Farming and Trauma Command. If you were at TRAUMA last year, you might have seen all of them play there… Published by Wormgod,of course.
I’m planning to put a few samples of it on the blog in the coming weeks before it’s released. I just got word today that Norway, of all countries, just made some changes to their laws, making abortions less accessible (link in Swedish, sorry, you can probably find it in other languages, I don’t have time to google it, even though it’d probably be as fast as writing this). Which sucks, of course. So I felt this one was a good fit for today: