Category: Hybriden

My books (the only 30 books you need?)

The new issue of CBA is out, where I made the cover and a comic and was main editor. It looks very good in print, if I may say so myself (more about it at the CBK site). I also have a short comic in the next issue, which will also be out soon (Nov 25, with a few sneaky pre-release appearances).

And since we’re talking new releases, maybe it’s time to take stock of the older ones, so I took them out of my shelf and had a little self-celebratory photo session. Remember when Marie Kondo said you only need 30 books? Well, these could be 175 of them (more or less)…

Starting with the main thing: Piracy is Liberation in its various editions, collections and bonus zines:

Other books I’ve written and drawn or, in a few cases, written for someone else to draw, or made as collaborations:

A bunch of smaller scale publications and/or recent(-ish) zines:

Going on with some loose mix of theme/chronology, here’s the early issues of C’est Bon, with some side publications.

Continuing with the early issues after we turned the zine C’est Bon into the international anthology C’est Bon Anthology, and the restart when we got US distribution and started calling them volumes:

More volumes av CBA:

So far I’ve only included issues of CBA where I’m participating with comics, so here are those where I was just part of the editorial crew:

Same category, editorial only but (mostly) for Tusen Serier, though in some cases that includes translations and I also made the over-all design for almost all of these:

As you may have noticed if you looked closely enough at the CBA pics, there was a period when I wasn’t as involved (vols 8-27). It was during that time I started Wormgod and Tusen Serier with other collaborators, and I also edited and sometimes participated in a series called Dystopia:

It was also during that time I started doing the bi-annual AltCom festival, with these accompanying anthologies, until the pandemic put a temporary(?) but long-lasting stop to such social events:

Going back to CBA for an instant, these are the issues where I was main editor. We started doing that starting with vol 35 if I remember right, since it turned out our tastes differed too much within the group. So instead of staying in a situation where someone would always be a little unhappy with the selection (what was included or what was excluded), now we’d take turns setting the theme and having final say about the contents. I think it’s worked pretty well and it’s still how we do it (vol 64 should have been in this pic as well, but it wasn’t out yet when I took the photos). I didn’t make comics for all of these, but I made the covers, except the first one which is a drawing by Radovan Popović, printed only in spot gloss lamination:

Speaking of covers, here are some book covers I’ve made for books I didn’t have much else to do with (except I made a bunch of interior illustrations for two of them and edited one):

And for this trilogy, my main involvement was doing the design:

…in contrast to the following anthologies from different countries, where I only participated with comics (or illustrations, in three or four of them):

This list isn’t 100% complete since I didn’t includes magazines, older zines etc, but other than some things like that, this is pretty much it… I have some more, still uncomfirmed, possible publications that may come out before this year is over, so check this space for more news in the near future.

Oh, and if you’re interested, you can get most of these at Hybriden.

Seriefest 2023

This weekend (Sep 2-3) it’s Seriefest in Malmö (in Ridhuset, Folkts Park).

We’ll be there with a selection of books, along with Tusen Serier/Wormgod/Hybriden (the policy is to only sell things made by creators who is present. Luckily, Mattias Elftorp will be there and he’s been involved in lots of books)…

There will also be 2 Hybriden-related items in the program:

Tusen Serier: Jorge Varas Varilla
(Saturday 1630-1650)
Jorge Varas Varilla from Tusen Serier talks about his career as a satire illustrator and how graphic humor was used as a tool for wishing for social change in the 1960s Chile. He tells about Allende’s government, about the military coup and also about his own arrest and exile.
www.varilla.se

CBK/Wormgod: Mattias Elftorp
(Sunday 1300-1320)
Talk with Mattias Elftorp about the international comics anthology CBA and about the cyberpunk postapocalypse of his Piracy is Liberation. War mania in a future where Capitalism is the only religion.
www.elftorp.com

See you there!

Piracy 005-008 digital comics!

I recently put up another batch of digital Piracy is Liberation books for download at Hybriden.

Sometime within a year I plan to also make book 009-011 available like this, and a year after that books 012-013. In other updates, I’ve finished the first few pages of Piracy is Liberation 013: War and Pieces, which will hopefully be out by the end of this year, possibly beginning of 2024. But more on that later…

What happens when the rules have suddenly changed and the police can do nothing but watch as people party in the streets? What happens when even the rules of reality can be broken? One section of the City where Capitalism is the only religion has been freed from the influence of landlords and indoctrinating television, but when the authorities come back with a vengeance to evict the Free Section, expect violence.
Meanwhile, something is moving on the net. Some kind of entities seem to be interfering with its users. What are these Spiders and how will they affect the plans for the Information Upgrade that the anarchists are planning?
Also in this collection:
Can Technograph change the past through timetravel?
And introducing Ming, the open source web-based sentient being.
Political theory, filtered through autobiography masked as fiction, in the form of cyberpunk postapocalypse.
320 pgs
Name your price (minimum 72 sek)

This is a collection of four more books of the Piracy is Liberation series, in digital versions based on the original publications. They are downloadable as a CBR file, a classic format for filesharing comics. You can open it in various comics reader apps, or just a regular unZIP or unRAR app.
Digital comics should be much cheaper than paper books, so it’s a “name your price” deal, with a minimum price based on page count.

Digital download bundle of books 001-004 is of course also still available:

Cyberpunk stories in a future where Capitalism is the only religion, where only sinners disobey and nobody loves a sinner. Pirate is one of those sinners, downloading illegal information straight into his mind to get high. When he gets caught while trying to free Information, he has to use all his skills as a 4-dimensional hacker to break them out of digital prison.
One year later, he’s part of a group trying to free sections of the City from the clutches of brainwashing television, riot cops and the Priests and Masters who control everything.
Meanwhile, Erica toils away as a Slave in the factory. But what’s the dark secret behind the cogs and wheels and levers of her machine? What hides in the desert that no one knows exists? And what of the Drivers and their upcoming strike?
Political theory, filtered through autobiography masked as fiction, in the form of cyberpunk postapocalypse.
266 pgs
Name your price (minimum 60 sek)

 

 

PRE-RELEASE: Piracy is Liberation 012 & Vårdfällan

PRE-RELEASE of 2 new books from Tusen Serier and CBK/Wormgod! These books are only available at Hybriden until Jan 1, 2023. After that they will be taken down from the site until the official release in early 2023 (Jan/Feb)!!!
So take this chance to be among the first to get Piracy is Liberation 012: Outer Enemy and Vårdfällan (Raquel Lozano)!

Piracy is Liberation 012: Outer Enemy by Mattias Elftorp

Terror strikes the City, and Pirate seems to be the terrorist! Or is this finally the start of the revolution? As the City is gearing up for war, two girls walk its streets looking for action and trying to figure out what actually happened. How will our anarchist heroes deal with this situation as the equivalent to nationalist tendencies grip the population? What happens in a City where war has been an unknown concept, as its billboards are filling up with WANTED posters and military propaganda and the army recruitment centers are opening up for business? Who is the enemy?

10 year in the making, this 12th book in the Piracy is Liberation series finally takes us back to the City for 212 pages of a brand new story about a society on the brink of war.

Language: English
Page count: 212
Book type: graphic novel, softcover
Price: 150:- sek
ORDER (contact CBK about review copies!)

Vårdfällan by Raquel Lozano

Alejandra vill egentligen wallraffa, men efter en tids uppehåll är hon nu tillbaka som vårdbiträde inom hemtjänsten. För att klara av sin vardag med duschar, blöjbyten och läggningar varvar hon jobbet med en ny hobby, även om den kanske inte är helt laglig.

Vårdfällan is Raquel Lozano’s debut novel. With Malmö as backdrop, she depicts the life of a young worker, and her struggle to survive an increasingly cold work climate.

Language: Swedish
Page count: 176
Book type: novel, pocket/softcover
Price: 100:- sek
ORDER (contact Tusen Serier about review copies!)

Also new in the webshop:

CBA vol 58: Modern Glossolalia or the Erosion of Meaning (which I edited) and CBA vol 59: Aloneliness (which I only proofread), the latest issues of our international comics anthology!

Mapuche by Jorge Varas Varilla is now available in a new, quadrilingual edition (Mapudungun/Spanish, with subtitles in English/Swedish) (which I translated).

Five Stories About Undocumented Women by Amalia Alvarez has been hard to find for a while, but is now here in a 3rd edition, with new paper stock and still in 3 languages (Spanish/Swedish/English) (which I translated).

Release: Digital Piracy!

I just put up a bundle of Piracy is Liberation books 001-004 for digital download at Hybriden!

If you’re new to the world of Piracy is Liberation, here’s a short description of what you get in these four books:

Cyberpunk stories in a future where Capitalism is the only religion, where only sinners disobey and nobody loves a sinner. Pirate is one of those sinners, downloading illegal information straight into his mind to get high. When he gets caught while trying to free Information, he has to use all his skills as a 4-dimensional hacker to break them out of digital prison.
One year later, he’s part of a group trying to free sections of the City from the clutches of brainwashing television, riot cops and the Priests and Masters who control everything.
Meanwhile, Erica toils away as a Slave in the factory. But what’s the dark secret behind the cogs and wheels and levers of her machine? What hides in the desert that no one knows exists? And what of the Drivers and their upcoming strike?
Political theory, filtered through autobiography masked as fiction, in the form of cyberpunk postapocalypse.

It’s a great way to get a substantial sample (266 pages) if you want to try it out before buying the books, or if you just want to read it for its own sake. Or if you prefer to read on a tablet (if this proves popular enough I’ll probably do digital versions of the rest of the books as well).

Digital comics often cost much more than I think is reasonable, so I set the price for this at 60 sek (about 6€/$6.35), which is what one and a half book would cost on paper, and now you get four! There’s also the option to pay more if you think my price is too low.

If you want it for free, books 001 and 002 are still available at ThePirateBay, so that’s also an option. Just don’t forget to share!

BUY IT HERE

Arg Kanin & Hybriden

Yesterday, an exhibition opened that features a bunch of local comics creators in order to highlight Malmö as a comics city. Including me and Kinga Dukaj, as representing Hybriden and Fanzineverkstaden. You can find the exhibition at Norra Parkgatan, along Folkets Park in Malmö.

The description I got for my entry was that it should both represent me as a comics creator and the part of the comics culture that I’m part of, in this case CBK and Tusen Serier. So I made a collage creature out of cut-up cover images from CBA and various Tusen Serier books, and gave it a dialogue with my recurring character, the Angry Animal, called Arg Kanin (Angry Rabbit) in Swedish.

The theme of my comic was provoked by some of the latest outbursts of stupid neonationalism from the politically brown part of Swedish politics, where they thought that busdrivers should only be allowed to play purely Swedish music. Not because they normally play music on buses but because it was an opportunity to make a point designed to appeal to anyone who feels uneasy when they see a busdriver that is anything other than super White, or when they happen to hear music that was made in another country than Sweden (or USA, UK, Denmark or whatever else they count as Swedish/familiar/safe).

And also the general tendency nowadays for politicians and people to want to illegalize anything that doesn’t fit into their narrow tastes. Nationalism really doesn’t promote any kind of intellectual growth. It’s truly a culture of inbreeding.

Here’s my contribution to the exhibition:

Title: Anrgy Animal & Hybriden on Cultural Inbreeding
Animal: If they get things the way they want, I guess the only music that’ll be allowed will be Ultima Thule* and folk music.
Hybrid: As if they even like folk music.
Animal: It’s all such obvious bullshit. The only thing they like about it is that it’s mostly made by white people.
Hybrid: Look at my face! It contains traces of Poland, Bosnia, Chile, Chine, Croatia, Mexoico and Sweden.
And there’s even more in my body! How is that supposed to be wrong?

*Ultima Thule is an old Swedish band from the white power movement with connections to the Sweden Democrats…
Animal: It’s such a trend these days with politicians who want to use laws to get rid of everything they don’t personally like.
And by that I don’t mean trans people who stopped liking Harry Potter. I mean politicians who want to ban not only clothes and art but also people.
Hybrid: The kind of people who want to solve social problems by adding more cops and security guards on every street corner, and cameras in every apartment building and probably every home as well…
Hybrid: …when everyone actually knows that what’s needed is better schools, social safety nets and economic equalization.
Animal: But some people don’t give a shit because they just want to be able to get rich and not have to see anyone who doesn’t look like them.
Inbreeding politics is what it is!
Hybrid: Yeah, their talk about “culture” is so obviously not about cultural expression at all, they just want to get rid of some people.
Animal: All according to the principle: “No one can call you a racist as long as you pretend to just talk about culture or religion”.
Hybrid: As if we’d fall for that? As if we didn’t recognize that they talk about Muslims now in the same way the Nazis used to talk about Jews. And we already saw how that went.
Animal: Fucking racists.
Mine and Kinga’s contributions in their natural(?) habitat…

Don’t forget to visit Hybriden, check out the exhibitions, webshop etc!

The project that this exhibition is part of is called Seriestaden Malmö (Malmö, the comics city). Seriestaden is a concept that’s been around since the late 90s, just before the comic school was started, and we who are active in the Malmö comics scene have used it now and then as a way to highlight the great variety of comics, cretors and comics-related projects, collectives, associations, publishers and activities that are around. So this is the latest in that line, this time organized by BID. BID is an association of landlords in the area and is a concept borrowed from other countries. Their purpose is to make our streets ”safer”. In many cases that has meant a combination of repression, gentrification and cultural work. So let’s hope the Malmö variant focuses more on the cultural projects rather than the repressive gentrification stuff and that they understand that making an area more expensive doesn’t help the people living there, only the owners of the buildings. This exhibition is a good start by supporting the local comics culture.

CRACK! 2019 + some recent stuff

I’m soon going on vacation, this weird concept that you get when you have employment, where you spend some time not working at all. Employment is rare for me, so it still feels like some kind of novelty. And it won’t be completely without work since we have a CBA release/exhibition on July19 (work being defined as when you do things with a purpose other than pleasure/relaxation, not to be confused with employment where you also get paid).

So I thought I should make some small summation of what I’ve beem doing lately. I should say ‘we’ rather than ‘I’ since most of what I do is done in the context of one or more of the collectives I’m part of within the Hybriden constellation…

—

Let’s start at the chronological end, with this year’s CRACK! festival (June 20-23) where I was with Kinga Dukaj and Luddvig Melin to represent AltCom/Hybriden/Wormgod/CBK/Tusen Serier and ourselves as artists. If you don’t know, this is one that I’ve been going to every year for the last decade or so, except last year. Which was probably good, because this time it felt better than it has for a while. Less people than usual, but I got some of that magic back, where you meet new people who do interesting stuff, old friends that you only see once or a few times a year (depending on which festivals you go to) who also do interesting stuff, you see lots of cool art, you make some yourself, you’re in this small piece of a possible future/squat paradise on earth called Forte Prenestino to share in the evolution of the comics/printed art underground. It’s a source of inspiration for AltCom and for a lot of what I do and how I do it.

Idyllic breakfast with background reminder…

Our cell:

The theme for this year was APERTO (OPEN), similar to the NO BORDERS theme of AltCom 2012, so that fit us well considering what we’re usually publishing.

One of our neighboring cells

On June 22 there was also a huge demonstration against evictions of squats as well as against raised rents in general. CRACK! has a natural connection to this since Forte Prenestino is a squat since 1986. I didn’t go to the demo myself because I can’t handle being out in the Italian heat for that long, but rumor says it was a manifestation of around 100 000 people.

I was asked to make a sticker or something for the demo, but I found this and couldn’t imagine doing it any better.

I also have to say, without going into details, that the crisis management from the festival organizers is very commendable. They managed to turn an incident into an assembly of around a hundred artists to discuss what had happened. In the end some people disrupted the meeting and I’m not sure where they will go from where it ended, but I fully trust them to handle it in an intelligent way that is respectful to many different aspects of the whole situation.

—

A while ago, we opened a new permanent exhibition at Hybriden, with works that have been produced at Fanzineverkstaden by its members and/or workshop participants. It was also, finally, the official release event for Fosfor, our zine distribution system.

The Lore exhibition is still up, with material related to the theme of the latest issue of CBA. The best bet if you still haven’t seen it is to go this week (Wed-Fri 11-15 + Sun 12-15). After that, Hybriden will close for the summer except for the opening of the Qtopia exhibition on July 19 (at Hybriden). As I write this, we’re actually in the final stages of finishing to files for CBA vol 45: Qtopia to send off to the printer.

—

We’ll be back in August at Fanzineverkstaden, open weekdays between 15-21, with lots of new workshops coming up during the fall, so keep an eye open for that. And do use the place, because it’s a great opportunity to print stuff and try some new ways for self-publishing, and you never know how long it’ll last (except we know we’ll be here for at least another year). We also brought home some examples from CRACK! to use for inspiration.

—

And speaking of things that are being printed as we speak… My contributions to the upcoming Wormgod book, After the ends of the world 2 by me and Susanne Johansson, have largely been produced at Fanzineverkstaden in between my regular working hours. More on that later, but here are a few of the pages from the book that I also showed as prints at CRACK!

SIS 2019

I will be representing Wormgod at SIS (Stockholms Internationella Seriefestival) this weekend (Apr 6-7). The festival is to be found at Konstfack this time.

You’ll find Wormgod next to Tusen Serier and CBK and a few extra tables for individual artists from the groups.

We’ll also receive zines for Fosfor (the zine distro that’s included in the new webshop at Hybriden).

See you there!

New stuff

To begin with, I tried Detroit: Become Human (PS4) last night and it feels new and exciting. So far, it’s more about storytelling than gameplay, but that’s fine and the story is interesting, and storytelling is usually my main interest in games anyway. So yeah, give it a try!

I also look forward to trying out the newly released Coolpaintr VR…

Right now, I’m at Fanzineverkstaden, making plans for when we open to the public, which will hapen soon…

The upcoming CBA vol 40|41: Worst Case Scenario is being prepared for the printer as I write this, and it’s going to be a great volume. Black/white to fit the theme, which it really does. I made a comic for it, called Why you (maybe) shouldn’t kill Hitler, a time travel story about a worst case scenario and about misconceptions about historical events.Here’s the cover by Kinga Dukaj:

Today (starting an hour ago), there’s an exhibition at Hybriden, featuring the comics students from Fridhems folkhögskola.

Next weekend (June 2), we’ll open the second part of the Best of CBK exhibition (also at Hybriden). So see you there, maybe, one of these days.

Speaking of exhibitions, right now I’m part of the exhibition Pow – Historier i kvadrat at Det gamla tryckeriet in Eskilstuna. My contribution is the artist book I made a while ago: A Subtle Fuck You 2: Antidote.

I would have liked to make something new for the next volume of CBA as well: CBA vol 42: Subversive Superhero Stories, but I doubt I’ll have the time for it, so I’ll probably just write a text I’ve been wanting to do, and if I participate with a comic, it’ll be something old but relevant.

Also planning to make a short ranting comic för the AltCom 2018: HOW TO SURVIVE A DICTATORSHIP anthology. Probably an Angry Animal story, which I haven’t done for some time now. They don’t take me a lot of time and I think it’ll fit the theme.

This is an old one, used in the exhibition MUS, MOUSE, MAUS, shown at the Holocaust Museum in Paris a bunch of years ago, and possibly in other places after that (Click for bigger version)…

In general, the political climate in Sweden is rapidly deteriorating it seems, since it’s an election year and all the big parties compete in who can be the best at copying the neonationalists to prevent them from getting too strong. With the result, obviously, that the neonationalist part gets stronger and can push their politics even further. Now they’re even talking about throwing out people who are already Swedish citizens on the grounds that they or their parents weren’t born here (most of my closest friends) or that they don’t have the “correct” Swedish values (me and most of the people I know, I assume). No one will be safe unless something turns around soon.

I’m calling them neonationalists now because it seems that they’re in the forefront of a new(ish) nationalist movement. They could also be called “neofascists” or “racist” or “islamophobic rightwing” or “kind of normal party but with lots of nazis in their not-so-distant past”. But those words seem to make people uncomfortable, so I’ll stick with “neonationalist”, at least for this blogpost..