The new issue of CBA is out, where I made the cover and a comic and was main editor. It looks very good in print, if I may say so myself (more about it at the CBK site). I also have a short comic in the next issue, which will also be out soon (Nov 25, with a few sneaky pre-release appearances).
And since we’re talking new releases, maybe it’s time to take stock of the older ones, so I took them out of my shelf and had a little self-celebratory photo session. Remember when Marie Kondo said you only need 30 books? Well, these could be 175 of them (more or less)…
Starting with the main thing: Piracy is Liberation in its various editions, collections and bonus zines:
Other books I’ve written and drawn or, in a few cases, written for someone else to draw, or made as collaborations:
A bunch of smaller scale publications and/or recent(-ish) zines:
Going on with some loose mix of theme/chronology, here’s the early issues of C’est Bon, with some side publications.
Continuing with the early issues after we turned the zine C’est Bon into the international anthology C’est Bon Anthology, and the restart when we got US distribution and started calling them volumes:
More volumes av CBA:
So far I’ve only included issues of CBA where I’m participating with comics, so here are those where I was just part of the editorial crew:
Same category, editorial only but (mostly) for Tusen Serier, though in some cases that includes translations and I also made the over-all design for almost all of these:
As you may have noticed if you looked closely enough at the CBA pics, there was a period when I wasn’t as involved (vols 8-27). It was during that time I started Wormgod and Tusen Serier with other collaborators, and I also edited and sometimes participated in a series called Dystopia:
It was also during that time I started doing the bi-annual AltCom festival, with these accompanying anthologies, until the pandemic put a temporary(?) but long-lasting stop to such social events:
Going back to CBA for an instant, these are the issues where I was main editor. We started doing that starting with vol 35 if I remember right, since it turned out our tastes differed too much within the group. So instead of staying in a situation where someone would always be a little unhappy with the selection (what was included or what was excluded), now we’d take turns setting the theme and having final say about the contents. I think it’s worked pretty well and it’s still how we do it (vol 64 should have been in this pic as well, but it wasn’t out yet when I took the photos). I didn’t make comics for all of these, but I made the covers, except the first one which is a drawing by Radovan Popović, printed only in spot gloss lamination:
Speaking of covers, here are some book covers I’ve made for books I didn’t have much else to do with (except I made a bunch of interior illustrations for two of them and edited one):
And for this trilogy, my main involvement was doing the design:
…in contrast to the following anthologies from different countries, where I only participated with comics (or illustrations, in three or four of them):
This list isn’t 100% complete since I didn’t includes magazines, older zines etc, but other than some things like that, this is pretty much it… I have some more, still uncomfirmed, possible publications that may come out before this year is over, so check this space for more news in the near future.
Oh, and if you’re interested, you can get most of these at Hybriden.
The Old World Is Dying (
SIS 2024 (Kulturhuset, Stockholm)
