It hasn’t always been easy for me to work with linoprint. But yesterday at a Tusen Serier workshop I discovered the softcut lino plate, which allowed me to work faster and more intuitively. So suddenly I felt more at home with the material.
These are not the best quality prints I made, but I like it when things aren’t perfect.
Coming soon in a collective zine from Amanda Casanellas and Tusen Serier…
This one is the one I’m most happy with. It’s not a print but the paper I had to protect the table from when I was rolling the lino:
To me, a big part of my aesthetics in art is about embracing accidents.